Ultimately, both the Latin and Arabic are graceful designs based on classic proportions, prioritising the beauty, tranquility, and fluid nature of the wordsmith’s art. Finally, the spacing and connections in the Arabic were considered to achieve comparable colour as the Latin in a block of text. First, the Arabic letter sizes were readjusted so as to not appear larger next to the Latin, then weight and contrast were changed in the same way. So it was decided to give Athelas Arabic a thorough reworking to make them appropriate companions while maintaining the natural aesthetic qualities of Arabic. Originally designed independently, it worked entirely on its own and yet already seemed a good fit for Athelas. Futura is a Registered Trademark of Bauer Types S.L.Īthelas Arabic, created by talented Iranian designer Sahar Afshar, is an elegant typeface for fine digital and printed books - perfect for Arabic literature’s captivating forms. The commemorative plaque left on the Moon in July 1969 features text set in Futura. Futura works well for short blocks of text copy and captions. It is a good choice for space-sensitive environments. Futura is an exceptionally versatile typeface, suitable for headlines, sub-headings and body text at a smaller point sizes.
Boutros Futura was designed to work harmoniously with the URW-Latin whilst respecting Arabic calligraphic and cultural rules. The Futura URW family has sixth weights for each - Latin and Arabic - variant (Extra Bold, Bold, Demi, Medium, Book and Light). In 1928 it was striking, tasteful and radical and today it continues to be a popular typographic choice to express strength, elegance and clarity. One of the great names in typography, Futura is a geometric sans-serif typeface originally designed by Paul Renner for the Bauer Type Foundry in 1928.
#ARIAL BLACK BOLD FONT TORRENT PROFESSIONAL#
I dedicate the design of this font family to the memory of this great man.įutura is a modern bilingual typeface designed and created by two professional groups, each expert in their own field. He was a polymath and a renowned scholar. He lived in Baghdad and was assassinated at the instigation of an Abbasid caliph. The quasi-geometric character of Kofic melds with the calligraphic grace of Naskh, which was invented by Iben Moghleh, an Iranian savant of the ninth century. The design of this font family is inspired by two classic scripts: Kufic and Naskh. The NaNa Arabic Font Family is available in four weights: Thin, Light, Regular and Bold. It also includes proportional and tabular numerals for the supported languages.
NaNa Arabic supports Arabic, Persian and Urdu. This step was necessary after more than two hundred years of relative stagnation in Arabic font design.
This innovation is a contribution to the modernisation of Arabic typography, giving the font design of Arabic letters real typographic arrangement and providing greater typographic flexibility. It was developed in 2012/2013 on the basis of specific research and analysis of Arabic characters and definition of their structure.
#ARIAL BLACK BOLD FONT TORRENT SOFTWARE#
If you have any question concerning your rights you should review the license agreement you received with the software or contact Monotype for a copy of the license agreement.NaNa Arabic is a new creation of Naghi Naghashian. You may not copy or distribute this software. Unless you have entered into a specific license agreement granting you additional rights, your use of this software is limited to your workstation for your own publishing use. This software is a valuable asset of Monotype. You have obtained this typeface software either directly from Monotype or together with software distributed by one of Monotype's licensees.
This typeface is the property of Monotype Typography and its use by you is covered under the terms of a license agreement. Arial is an extremely versatile family of typefaces which can be used with equal success for text setting in reports, presentations, magazines etc, and for display use in newspapers, advertising and promotions. Terminal strokes are cut on the diagonal which helps to give the face a less mechanical appearance. The overall treatment of curves is softer and fuller than in most industrial style sans serif faces. Monotype Type Drawing Office - Robin Nicholas, Patricia Saunders 1982Ĭontemporary sans serif design, Arial contains more humanist characteristics than many of its predecessors and as such is more in tune with the mood of the last decades of the twentieth century. Monotype:Arial Bold:Version 2.90 (Microsoft)Īrial Trademark of The Monotype Corporation plc registered in the US Pat & TM Off.
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